Description
Are you searching for an audio interface with 4 high-quality mic inputs that won’t break the bank? Look no further than the Evo 8 audio interface by Audient – it’s the perfect choice for musicians and audio professionals who demand both affordability and top-notch sound quality.
Revolutionize your recording process with the Audient Evo 8 audio interface – capture your microphones and instruments with ease, thanks to its intuitive feature set and unrivaled performance. With additional inputs and outputs and the ability to run off bus power, the Evo 8 is the ultimate tool for any musician or audio professional looking to achieve a professional-quality sound. Don’t wait – upgrade to the Evo 8 today and take your music to the next level!
Why should you buy Evo 8 Audio Interface?
The Evo 8 audio interface from Audient is a popular choice among musicians, producers, and audio engineers. Here are some of the reasons why the Evo 8 is considered a good audio interface:
- High-quality preamps: The Evo 8 features Audient’s proprietary console mic preamps, which are known for their clarity, low noise, and musicality. The preamps provide up to 58 dB of gain, which is enough to handle a wide range of microphones and sound sources.
- AD/DA converters: The Evo 8 uses high-performance AD/DA converters, which ensure that the audio signals are captured and reproduced with high accuracy and fidelity. This is important for achieving a professional-quality sound in recording and mixing.
- Low-latency monitoring: The Evo 8 has a built-in DSP mixer that allows for low-latency monitoring, which is essential for recording and playing back audio in real-time. This feature ensures that the musician or performer can hear themselves without any delay, which is important for maintaining good timing and performance.
- User-friendly software: The Evo 8 comes with a user-friendly software interface that allows for easy control of the audio interface’s settings and features. The software also includes some useful tools for recording and mixing, such as a virtual mixer and a range of plugins.
- Versatility: The Evo 8 is a versatile audio interface that can handle a range of recording and mixing tasks. It has four mic/line inputs, four line outputs, and a range of other inputs and outputs, which makes it suitable for a variety of applications, from home recording to professional studio work.
Overall, the Evo 8 is a well-designed and high-performance audio interface that offers a range of features and capabilities. Its high-quality preamps, AD/DA converters, low-latency monitoring, user-friendly software, and versatility make it a popular choice among musicians and audio professionals.
Features:
- 4 x EVO Mic Pres
- Class Leading Converters
- Smartgain Smart Touchpoints
- JFET Instrument Input
- 2 x Stereo Speaker Outputs
- 2 x Headphone Outputs
- Low Latency
- Software Mixer
- Audio Loop-back
- USB2.0 Bus Powered
- Phantom Power
- Free Software + Plugins
Specifications:
Microphone Preamplifier
Mic Gain Range: |
58dB |
Line Gain Range: |
58dB (-10dB pad) |
Phantom Power: |
48V +/-4V @ 10mA/Channel (only 2 channel available on USB-A host computers |
Mic EIN: |
<-128dBu |
CMRR: |
>85dB @ 1kHz |
Maximum Input Level: |
+16dBu |
Input Impedance (Mic): |
>3kΩ Balanced |
Input Impedance (Line): |
>10kΩ Balanced |
Frequency Response: |
+/-0.5dB 10Hz to 40kHz |
Crosstalk: |
<-105dBu @ 1kHz & 10kHz |
THD+N @ 0dBu (1kHz): |
<0.0015% |
SNR: |
100dB |
XLR: |
Pin 2 (Hot), Pin 3 (Cold) & Pin 1 (Shield) |
1/4” Jack: |
TIP (Hot), RING (Cold) & SLEEVE (Shield) |
D.I
D.I Gain Range: |
58 dB |
Maximum Input Level: |
+10dBu |
Input Impedance: |
1MegΩ Unbalanced |
Frequency Response |
+/-0.5dB 10Hz to 20kHz |
THD+N @ 0dBu (1kHz): |
<0.3% |
SNR: |
100dB |
1/4” Jack: |
TIP (Hot) & SLEEVE (Shield) |
ADC Inputs
Digital Reference Level: |
0dBFS = +8dBu |
Frequency Response: |
+/-0.5dB 10Hz to Fs/2 |
Crosstalk: |
-105dBu @ 1kHz & 10kHz |
THD+N @ -1dBFS (1kHz): |
<0.001% |
Dynamic Range: |
113dB A-weighted |
DAC Outputs
Maximum Output Level: |
+11dBu |
Digital Reference Level: |
0dBFS = +11dBu |
Output Impedance: |
<100Ω Balanced |
Frequency Response: |
+/-0.5dB 10Hz to Fs/2 |
Crosstalk: |
<-110dBu @ 1kHz |
THD+N @ -1dBFS (1kHz): |
<0.0015% |
Dynamic Range: |
113dB A-weighted |
1/4” Jack: |
TIP (Hot), RING (Cold) & SLEEVE (Shield) |
Headphone Output
Output Impedance: |
<50Ω |
Frequency Response: |
+/-0.5dB 10Hz to Fs/2 |
Crosstalk: |
-110dBu @ 1kHz |
THD+N @ -1dBFS (1kHz): |
<0.0015% |
Dynamic Range: |
113dB A-weighted |
Max Level Into 30ohms: |
+0.5dBu, 0.0025% THD+N, 1.16Vpk Power: 45mW |
Max Level Into 60ohms: |
+4.22dBu, 0.0015% THD+N, 1.78Vpk Power: 52mW |
Max Level Into 600ohms: |
+10.1dBu, 0.0018% THD+N, 3.52Vpk Power: 20mW |
1/4” Jack: |
TIP (Left), RING (Right) & SLEEVE (Shield) |
DSP Mixer Roundtrip Latency:
(in to out)
44.1 kHz |
0.594ms |
48.0 kHz |
0.552ms |
88.2 kHz |
0.302ms |
96.0 kHz |
0.281ms |
DAW Playback Latency
@ 32 Sample Buffer for Software Instrument Playback
44.1 kHz |
~2.5ms |
96.0 kHz |
~2ms |
DAW Roundtrip Software Monitoring Latency
@ 32 Sample Buffer (in to out)
44.1 kHz |
5ms |
96.0 kHz |
4.1ms |
Latency – performance may vary as stability at these low buffer sizes is dependant on many factors including CPU load, operating system and performance of other drivers.
USB 2.0 High Speed
No. Of Input Channels |
24 Analogue |
No. Of Output Channels |
4 Digital |
Connector: |
USB Type-C |
Included Cables: |
1m USB 2.0 Type-C to USB Type-C |
Weight & Dimensions
Weights: |
Unit: |
0.475kg |
|
Packaged: |
0.815kg |
Dimensions: |
Unit: |
190mm (w) x 70mm (h) x 70mm (d) |
|
Packaged: |
230mm (w) x 105mm (h) x 95mm (d) |
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